A film collective.
Cerebral, thought-provoking.
Based in Singapore and London, Screentone is a film collective dedicated to setting in motion more international co-productions, and developing fresh talents with unique storytelling voices. Sometimes the magic and absurdity of life get overlooked – Screentone aspires to articulate them.
Kew Lin
Writer-Director
Kew Lin is a Singaporean writer-director with the attitude of a contrarian and an obsession for absurdity. He co-wrote Love Possibly (2018) which received the Best Screenplay Award at the Sochi International Film Festival, and co-write and co-directed an offbeat comedy series called 1000 Cups to Midnight. His short Of Pets & Dinner (2019) premiered at the 65th International Short Film Festival Oberhausen. Uncle Goose Waits For A Phone Call (2020) travelled to places such as Aesthetica Short Film Festival, Jogja-NETPAC Asian Film Festival, Seoul International Senior Film Festival. His latest short film Aunt Lotus and Her Dream Bicycle (2022), was screened at festivals such as Short Shorts, Leiden, Mulan and more.
Kew is currently in production for two absurd drama shorts, and developing his debut dark-comedy feature, Free Admission, which was given the Special Mention Award at Berlinale’s Talents Tokyo and received the Next Masters Support Program grant..
Angelina Marilyn Bok
Producer
Angelina Marilyn Bok is a Singaporean film producer currently based in the UK. With over a decade’s worth of producing experience, she became part of the New Asian Producers Network in 2020. Angelina’s training in creative producing culminated as an alumnus of Rotterdam Lab, Berlinale Talents Tokyo, International Film Business Academy at the Busan Asian Film School (AFiS), NAFF Fantastic Film School and Full Circle Producers Lab Philippines. She is currently an IMDA Post-graduate Scholar, pursuing a Masters in Producing at the prestigious National Film & Television School (UK).
Her shorts have premiered and won awards at festivals such as Busan International Film Festival, Hong Kong International Film Festival, Fantasia Film Festival and more. She is also the Associate Producer of IN MY MOTHER’S SKIN, a co-production horror feature which premiered at Sundance Film Festival and is now on Amazon Prime Video.
On top of producing, she has organised and programmed film festivals, sat in panel discussions and provided development consultation to young filmmakers. She is in currently post production for a debut drama, THE OLD MAN & HIS CAR, which was mentored under Full Circle First Cut Lab 2024, and developing a dark comedy, FREE ADMISSION which won Special Mention at Berlinale Talents Tokyo and received the Next Masters Support Program grant.
She aims to collaborate across borders and tell stories with a penchant for nuanced portrayals of human relationships and the absurdity of the everyday mundane.
Photos taken by the one and only talented Christopher Wong
SCREENTONE. 